Soul exploration :: The origins of the love story of the lovers of this movie are not much explored, as they go straight towards the point. Sai Kumar and Lena Abhilash also leaves strong impact on our minds with their characters. But the one who steals the show with two shots is Tovino Thomas who strikes an arrow into our heart and soul twice with one moment at the heroine’s house and another at the hero’s club. Bala also does a very strong job in this one.
We await his much expected movie Amar Akbar Anthony as we watch this! Parvathy impresses most of the time, and is just fine on some other occasions, and she reminds me of Sangeetha of Chinthavishtayaya Shyamala fame. If you ask me, I will prefer his performances in Ivide and Picket 43 more as they were a lot more intense but this one is serene, staying within the limits of his character – the three are his best of the year. Performers of the soul :: Prithviraj brings Moideen to the screen with great sincerity and wonderful skills. Flaws will rise easily in a movie which you declare flawless, my dear fans keep that in mind. The overrating of this movie by the fans reflects as a flaw for the flick – you exceed expectations and give a movie some “greatness” title, and it becomes a flaw for those who watch the movie with expectations of unlimited greatness. It is unfortunate that there is nothing about righteous politics as expected. The signs about that powerful socialist-capitalist clash which the trailer gave goes completely missing as the same only appears here and there only to disappear without leaving any trace. There are certain moments of stretching in the latter part which could have been avoided. Even though it is not at all empty like Annayum Rasoolum, there are moments which drag, and this happens mostly in the second half after a well-made first half. Also, the first half is superior to the second.Ĭlaws of flaw :: One problem with the movie is its length.
The fact that this is a true love story also makes this movie better than what it actually is – there should be thousands of great love stories which go forgotten, and it is nice that this one didn’t.
The visuals are really good, and there some very nice dialogues which the audience can remember for long.
ENNU NINTE MOIDEEN REVIEWS FULL
This movie becomes a lesson to the people who can’t wait or adjust, as the world are full of the “partially loving” ones who leave their lovers to follow their ambitions. It is something worth all the applause at a time when true love is dead and buried under the fake emotions. There is nothing other than pure love that takes the centre stage – there is almost no romance, and there is no talking nonsense there is just the decision to get married and live together. The defence of Ennu Ninte Moideen :: The best argument in favour of this movie is that it is unbelievably clean. A lot of things happen in the world around them, but they just wait for things to change, and this wait goes on as fate keeps intervening in their lives. The options available here were to run away or to forget each other, but they decide to wait. Moideen is thrown out of the house by his father for declaring his love for the lady, and Kanchanamala is locked inside her room in the house. They fall in love, but are restricted by the society as Kanchanamala is Hindu and Moideen is Muslim. Their parents are good friends and the families know each other. Meanwhile, Moideen (Prithviraj Sukumaran), a socialist political worker from a renowned family of the region spends his time with the common people. What is it about? :: In the 1960s at Mukkam in the Malabar region of Kerala, Kanchanamala (Parvathy Kottuvata), one of the many children of a landlord, studies medicine.
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